Somehow I thought about one thing: sometimes one bass, a drummer and a pair of cymbals are enough to make people want to twitch from this primitiveness! Why it happens? What is the reason? In the process of studying this phenomenon, the theory of kacha was born, about which a series of articles is devoted. I can’t vouch that after reading them, your compositions will become hits, but I would be happy for that.
First of all, briefly about the theory of Kacha. Qual is a term coined by me that relates to drive. Kach can be part of the drive, but the drive can be without kacha. Qach first of all is a concept characterizing “dance”. Continue reading
The cello has the same structure as the violin, but much larger. They play the cello while sitting, placing it in front of them and resting it on the floor with a special leg with a spike (spire).
History remembered two masters, especially those who were famous for producing cellos. This is Gasparo da Salo and Paolo Magini. They lived at the turn of the XVI – XVII centuries and the first of them was rumored to attribute the honor of the “invention” of the modern violin with four strings, moods fifths, the improvement of the violone, or the double bass of the viol, and finally the creation of the cello. The first masters who built the cello did not quite clearly represent that right path in the development of the modern cello, which was completed completely, only by Antonio Stradivari. Continue reading
Recording, mixing, mastering – this is what needs to be done on your song (video, transfer). Without mixing and mastering, your song will sound bad. One explanation for this is what has already been done. All professional recordings that you have heard have gone through mixing and mastering. Therefore, if you do not do these operations on your song, you understand, it will be “different.” The essence of these processes is signal processing. In the record – this is the processing of each instrument or voice that is in the song. Continue reading