“Good quality” – this, for example, included the modern song of Madonna, and then his song. If you do not lose or practically do not lose – then the quality is good. That is, compare with the model standard so to speak. Although sometimes people have weak ears or increased self-esteem. Then bad quality seems good. And sometimes the opposite: so self-critical person that any quality seems bad to him. Here, rather, he does not like the way he plays or sings, even after a studio correction and treatments. Here is the way out – go and improve your technique of performance.
You can often find slogans like: “good quality is not necessary for a demo”, “this is an underground (garage) album and it does not require good quality”, “this is a low-budget advertisement, it will come down in any capacity” and so on. Continue reading
If the sound engineer to whom you came, believes that there is a set of laws in the art of sound recording, and he is one of the elect who know them – run away from there. I reviewed a lot of literature and films on the techniques of mixing and mastering. I saw a huge number of obvious mistakes, but I repeat: There are no rules in art. As a result, some “errors” give a better result than “by the rules”. From all this it follows: do not become a lover of the “rules” yourself, let the sound producer do the work, do not put a cross on it. In the end, he may surprise you. Continue reading