Auditory therapy of A.Tomatis
About 40 years ago, the French otolaryngologist, Alfred Tomatis, made some amazing discoveries that prompted the development of the Tomatis method. This method has various names: “auditory learning”, “auditory arousal”…

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Which track is better
In her famous quotation, the great Coco Chanel wanted to say that there are hobbies that capture the minds of society with a wave, but then quickly disappear. And there…

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Why does music heal?

Almost everything that happens in nature is connected with the world of sounds. In any case, in wildlife. It can be considered proven that music affects us, plants, and animals.
Music is increasingly serving health. There was already a special, albeit not very extensive yet, area of ​​medicine – music therapy. In the first place, it treats neuropsychiatric diseases: sessions of music therapy under the guidance of psychotherapist doctors have become firmly established in medical practice.
And in recent years, sound effects are increasingly used for the treatment of somatic, bodily diseases. Thus, the magazine “Inventor and Rationalizer” recently described in detail (in No. 5, 1986) about the experience of the doctor A.R. Guskov: using sound, he removes stones from the ureter.
Experienced material on the healing effects of music has accumulated a lot; works, revealing the mechanisms of its impact on humans, much less. But, without penetrating into the essence of the phenomena that occur in the body when exposed to sounds, it is difficult to develop and improve music therapy.
So let’s try to speculate about these mechanisms, taking into account the data of biophysics, biochemistry and medicine.
Imagine a piece of music as a certain sequence of signals – mechanical oscillations in an elastic medium, lying in the frequency range 10-20000Hz. For some processes in the human body, and, above all, for enzymatic reactions, the same frequencies are characteristic.
The work of the enzyme is associated with a change in its shape, that is, with the mechanical movement of part of the protein macromolecule: it is compressed and decompressed when each molecule of the substrate substance is processed. The number of such molecules processed by an enzyme molecule per unit of time is called the number of revolutions of the enzyme; it is a measure of the rate of an enzymatic reaction.
Back in 1968, Professor S.E. Shnol (Institute of Biological Physics, USSR Academy of Sciences) compared the revolutions of enzymes with the frequency characteristics of a musical scale. It turned out that in many enzymes involved in the most important exchange processes, these numbers correspond to the frequencies of the musical notes of the European sound series.
So, in cytochrome reductase, which is included at the most important stage of providing the body with energy – with the assimilation of oxygen, the number of revolutions per unit of time is 183 Hz, which is very close to the note of a small octave (185 Hz).
Enzymes that promote the absorption of glucose, the universal energy store in the body, phosphorylase and glucomutase, have rotational speeds of 676, 1600, and 280 Hz. For comparison: the second octave of the second octave is 659 Hz, the salt of the second octave is 1567 Hz, before the sharp of the first octave is 277 Hz.
If the frequency characteristics are so close, is it possible to assume the possibility of direct effects of music on certain biochemical processes?
The joint work of enzymes creates the acoustic field of the cell. Probably, the regulating influence of music on the body is due to the fact that its acoustic field is superimposed on the body’s own acoustic field.
Let the analogy be a little rough, but the enzyme can be compared to a tuning fork that starts to sound – in our case, to catalyze a biochemical reaction – under the influence of a sound whose frequency coincides with its natural frequency, which leads to a resonance.
Biochemical processes are systems of coupled enzymatic reactions. In order to regulate the operation of these systems, it is sufficient to influence the single, slowest reaction, the restraining process in general.
For processes occurring in different organs, the enzymatic reactions that determine the overall rate of transformation are different, so the sensitivity of organs to sounds of different frequencies must be different.
But if so, then each organ system should have its own “musical score” – the most effective set of sound vibrations, the frequency of which is determined by that very constraining, slowest response.
Analyzing the revolutions of enzymes, it can be assumed that the stomach is most sensitive to a low register (the frequency of revolutions in digestive enzymes is very low, about 10 Hz), and high frequencies correspond to respiration and transmission of nerve impulses (carbonic anhydrase enzyme – 40000 Hz, acetylcholinesterase – 14000 Hz) . Changing reaction conditions changes the frequency of turns: a full stomach “sings” in a higher voice.
Direct effects on enzymes, of course, are not the only possible mechanism for the biological action of music. Studies of cell membranes have shown that in some cases the channels through which ions necessary for its normal operation enter the cell behave like oscillatory circuits, whose natural frequencies lie within the acoustic range.
Thus, the effective frequency that changes the speed of the release of Ca2 + ions is 15 Hz, and if the cell is affected by the sounds of this frequency, we can expect a sharp jump in the concentration of calcium ions. In fact, under the action of electromagnetic oscillations with a frequency of 15 Hz on artificially cultured brain cells, a multiple acceleration of the output of calcium ions was observed.

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