Romance
The word romance takes us to the Middle Ages in Spain. In those days, in addition to the everyday ordinary language, there was another - Latin. Scientists wrote books on…

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muscular
Ensemble
Ensemble - means the joint performance of a piece of music by several participants or a piece of music for a small number of performers; A favorite type of music…

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Cello history
The cello has the same structure as the violin, but much larger. They play the cello while sitting, placing it in front of them and resting it on the floor…

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music

Sw in dance music

Somehow I thought about one thing: sometimes one bass, a drummer and a pair of cymbals are enough to make people want to twitch from this primitiveness! Why it happens? What is the reason? In the process of studying this phenomenon, the theory of kacha was born, about which a series of articles is devoted. I can’t vouch that after reading them, your compositions will become hits, but I would be happy for that.
First of all, briefly about the theory of Kacha. Qual is a term coined by me that relates to drive. Kach can be part of the drive, but the drive can be without kacha. Qach first of all is a concept characterizing “dance”. Continue reading

Sonata

The word “Sonata” is derived from the Italian verb “Sonare” – “sound.”
For the first time Spanish composers of the 16th century began to call it that. Early sonatas were polyphonic, for example, trio sonatas for 3 instruments — violins (or flutes), viola da gamba and harpsichord. When the homophon came to replace the polyphonic style (the main voice began to play the main role with a bright melody, and the rest acquired an accompanying, accompanying character), the sonata for the solo instrument with accompaniment, especially for the violin, became paramount. In the XVII — XVIII centuries. Violin sonatas are composed by the largest Italian composers – J. Vitali, J. Tartini, A. Corelli, A. Vivaldi. The keyboard tool performed in them purely accompanying function. Continue reading

About different sound engineers (sound producers)

If the sound engineer to whom you came, believes that there is a set of laws in the art of sound recording, and he is one of the elect who know them – run away from there. I reviewed a lot of literature and films on the techniques of mixing and mastering. I saw a huge number of obvious mistakes, but I repeat: There are no rules in art. As a result, some “errors” give a better result than “by the rules”. From all this it follows: do not become a lover of the “rules” yourself, let the sound producer do the work, do not put a cross on it. In the end, he may surprise you. Continue reading

The financial side of working with the studio
It is worth learning the following fact. If a studio rents a good room, in a good area, there is a lot of equipment in the studio, a good repair…

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Romance
The word romance takes us to the Middle Ages in Spain. In those days, in addition to the everyday ordinary language, there was another - Latin. Scientists wrote books on…

...

The power of music
Music is one of the most inspirational forms of art. With its rhythm, melody, harmony, dynamics, variety of sound combinations, colors and nuances, the music conveys an endless range of…

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