“Good quality” – this, for example, included the modern song of Madonna, and then his song. If you do not lose or practically do not lose – then the quality is good. That is, compare with the model standard so to speak. Although sometimes people have weak ears or increased self-esteem. Then bad quality seems good. And sometimes the opposite: so self-critical person that any quality seems bad to him. Here, rather, he does not like the way he plays or sings, even after a studio correction and treatments. Here is the way out – go and improve your technique of performance.
You can often find slogans like: “good quality is not necessary for a demo”, “this is an underground (garage) album and it does not require good quality”, “this is a low-budget advertisement, it will come down in any capacity” and so on. Continue reading
The problem of the genre in modern musicology is one of the most pressing. In the scientific literature, genre groups are distinguished in accordance with various assessments: the performing staff (vocal, instrumental, mixed, solo, ensemble, orchestral, choral genres), the place of performance of music and its purpose (concert, theater, religious, street). The concept of the genre is most consistently developed in the works of Soviet musicologists V. Tsukerman and A. Sokhar. Continue reading
One glance at a person who has in his memory a painful experience, actualized in the present, is enough to determine the presence of this experience. Usually, a person tries to hide an emotion that is struggling towards realization, perhaps interpreting it as negative.
But the tensions that arise in a person who suppresses his emotions, help to destroy the “primary essence”, which increases the alienation peculiar to most people from themselves and others (Lowen, 1975). According to Lowen, the “primary essence” is the pleasure of life, the source of which is the freedom of movement and the absence of tension in the body. Continue reading