diversity of music
Timbre, beauty and harmonious voice
Today I would like to touch on the issue of timbre, beauty and melodiousness of our voice. It is often said that a woman loves with ears, and a man loves with her eyes. But I have a feeling that everyone loves with their ears, and with their eyes selectively, aesthetes and especially spoiled lovers of beauty.
So, the voice is important for everyone, especially for singers. And for ordinary people – not musicians – the beauty of the voice is also important, because it depends on whether your voice is sweet or not, whether the girl will fall in love with you or not, whether the director will like you or you don’t like it at once, whether the client will trust you Or, on the contrary, immediately turn away from you and slam the door in front of your nose. Continue reading
Richard Hugh Blackmore
Richard Hugh Blackmore was born on April 14, 1945 in the English town of Weston-Super-Mare. The first instrument – an ordinary acoustic guitar – was presented to Ritchie at the age of ten by his father, and it was his father who insisted that Ritchie not only learned to strum on six strings, but also take classical guitar lessons. At that time, the Blackmore family was already living in the town of Heston, where in the house of their grandmother Ritchie I heard for the first time the powerful music of JS Bach, which had sunk into the soul of the future guitar virtuoso for the rest of her life. Continue reading
Genres and forms of folk instrumental music
The problem of the genre in modern musicology is one of the most pressing. In the scientific literature, genre groups are distinguished in accordance with various assessments: the performing staff (vocal, instrumental, mixed, solo, ensemble, orchestral, choral genres), the place of performance of music and its purpose (concert, theater, religious, street). The concept of the genre is most consistently developed in the works of Soviet musicologists V. Tsukerman and A. Sokhar. Continue reading
